Deborah Ann Woll

Deborah Ann Woll

CountryUnited States United States
GenderFemale
BirthdayFeb. 7, 1985
BiographyDeborah Ann Woll (born February 7, 1985) is an American actress. She played Jessica Hamby in the HBO drama series True Blood (2008–2014), which earned her a nomination for a Screen Actors Guild Award. She portrayed Karen Page in four television series of the Marvel Cinematic Universe, including Daredevil (2015–2018) and Daredevil: Born Again (2025). Her film roles include Mother's Day (2010), Seven Days in Utopia (2011), Someday This Pain Will Be Useful to You (2011), Catch .44 (2011), Ruby Sparks (2012), Meet Me in Montenegro (2014), The Automatic Hate (2015), Escape Room (2019) and its sequel Escape Room: Tournament of Champions (2021), and Queen of the Ring (2024).

In 2022, she provided the voice and motion capture of Faye in the video game God of War Ragnarök. She appeared in tabletop gaming web series including appearances as the Dungeon Master for multiple actual play series.

Biography from the Wikipedia article Deborah Ann Woll. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.

Known For

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The Last of Us
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The Last of Us

After a global pandemic destroys civilization, a hardened survivor takes charge of a 14-year-old girl who may be humanity's last hope.

MobLand
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MobLand

With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.

MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

GenreDrama, Crime
The White Lotus
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The White Lotus

A social satire set at an exclusive tropical resort, The White Lotus follows the exploits of various guests and employees over the span of a week.

Daredevil: Born Again
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Daredevil: Born Again

Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

 

The Studio
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The Studio

As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

GenreComedy