
Michael Grossman
He has directed a number of episodes from dozens of different television series, including Grey's Anatomy and the backdoor pilot ("The Other Side of This Life") of its spin-off, Private Practice. His other directorial work includes the series Charmed, Zoey 101, Angel, The Invisible Man, Arli$$, Firefly, Star Trek: Enterprise, Earth 2, Buffy the Vampire Slayer, Gilmore Girls, Drop Dead Diva, Manhattan, AZ, One Tree Hill, Las Vegas, Eureka, Dirty Sexy Money, Nashville and Pretty Little Liars.
Prior to working in television, Grossman was an assistant director on the films Hide and Go Shriek (1988) and Teenage Mutant Ninja Turtles (1990).
Grossman directed the television films Two Heads Are Better Than None (2000), Merry Christmas, Drake & Josh (2008), Starstruck (2010), and One Crazy Cruise (2015).
Biography from the Wikipedia article Michael Grossman. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.