
Douglas Rae
Rae presented the long-running Thames Television children's series Magpie, taking over from Pete Brady in 1971 and remaining until 1977.
Rae then moved behind the camera, becoming an executive producer of films and television series. In November 1988 he founded Ecosse Films, a film and television production company. Film productions include Mrs Brown starring Judi Dench, Charlotte Gray starring Cate Blanchett, Becoming Jane starring Anne Hathaway and James McAvoy, and the BAFTA-nominated Nowhere Boy.
Ecosse Films' most successful television production has been the BBC serial Monarch of the Glen. Other television productions include the BBC One series Mistresses (2008–2010), Camelot (2011), Fleming: The Man Who Would Be Bond (2014), The Great Fire (2014), the Bloomsbury Group drama Life in Squares (2015), and The Trial of Christine Keeler (2019). His most recent production is the film The Great Escaper, starring Michael Caine and Glenda Jackson.
Biography from the Wikipedia article Douglas Rae (producer). Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Part of Crew

Camelot

Fleming: The Man Who Would Be Bond

Life of Crime

Mistresses

Mistresses

Monarch of the Glen

The Great Fire

The Trial of Christine Keeler
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.