
Mary Jo Catlett
Catlett was born in Denver, Colorado, where she performed in a variety of plays and eventually directed a company of Pirates of Penzance. Throughout the 1960s and 1970s, she performed in Off-Broadway and Broadway musicals, often taking lighthearted, humorous roles. Since the late 1960s, Catlett has appeared in television shows such as M*A*S*H, The Dukes of Hazzard, and General Hospital. Catlett received Los Angeles Drama Critics Circle Awards in 1978 and 1980, a nomination for Best Featured Actress in a Musical at the Ovation Awards in 1995, and a Daytime Emmy Award nomination in 1990.
In 1998, Catlett joined the main cast of the then-upcoming cartoon SpongeBob SquarePants as the voice of Mrs. Puff, the title character's driving school teacher, who has become her longest-running and most well-known role. Series creator Stephen Hillenburg had seen Catlett perform on stage and sought her out for the part himself. She quickly accepted and has since voiced Mrs. Puff in every season of the cartoon, in addition to all of the theatrical SpongeBob films and video games. In 2001, she received an Annie Award nomination for her voice-over work as Mrs. Puff.
Biography from the Wikipedia article Mary Jo Catlett. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.