
Tom Courtenay
Courtenay earned the BAFTA Award for Most Promising Newcomer for his role in the coming-of-age film The Loneliness of the Long Distance Runner (1962) and a nomination for the Academy Award for Best Supporting Actor for his role in David Lean's epic Doctor Zhivago (1965). Other notable film roles during this period include Billy Liar (1963), King and Country (1964), King Rat (1965), and The Night of the Generals (1967).
For his performance in the 1983 film adaptation of the play The Dresser, in which he reprised the role of Norman he originated both on the West End and Broadway, Courtenay won the Golden Globe Award for Best Actor and received Academy and BAFTA Award nominations. His later roles include Last Orders (2001), Nicholas Nickleby (2002), Quartet (2012), 45 Years (2015), and The Guernsey Literary and Potato Peel Pie Society (2018).
Courtenay received two British Academy Television Awards for his performances in the television film A Rather English Marriage (1998) and the first series of the crime drama Unforgotten (2015) as well as a nomination for the Primetime Emmy Award for the PBS miniseries Little Dorrit (2008).
Biography from the Wikipedia article Tom Courtenay. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.