
Hope Davis
She made her film debut in Joel Schumacher's Flatliners in 1990. She then starred in the critically acclaimed films The Daytrippers (1996), About Schmidt (2002), Infamous (2006), and Asteroid City (2023). She received a Golden Globe Award for Best Supporting Actress – Motion Picture nomination for her role in American Splendor (2003). She received an Independent Spirit Award with the cast of Synecdoche, New York (2008). In 2016, she joined the Marvel Cinematic Universe portraying Tony Stark's mother Maria Stark in Captain America: Civil War (2016).
In 1992, she made her Broadway theatre debut in Two Shakespearean Actors. In 1997 she starred as Sasha in Ivanov opposite Kevin Kline and Marian Seldes. She earned acclaim for her role in Yasmina Reza's God of Carnage in 2009 acting alongside Jeff Daniels, Marcia Gay Harden, and James Gandolfini. For her performance she received a nomination for the Tony Award for Best Actress in a Play.
Hope's early television roles include the Dick Wolf NBC series Deadline (2000–2001) and the ABC drama Six Degrees (2006–2007). She later earned Primetime Emmy Award nominations for her performances in the HBO projects In Treatment (2009), The Special Relationship (2010), and Succession (2021–2023). Her other notable roles include in Mildred Pierce (2011), The Newsroom (2012–2013), and Your Honor (2020–2023).
Biography from the Wikipedia article Hope Davis. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.