
Stacy Keibler
Keibler began her professional wrestling career as a part of the Nitro Girls in WCW. She quickly moved on to a more prominent role in the company as the manager Miss Hancock. As Miss Hancock, Keibler was known for doing table dances, her relationship with David Flair, and a pregnancy angle. After WCW was purchased by the WWF (later WWE) in 2001, Keibler moved to the new company during the Attitude Era, using her real name and taking part in the Invasion storyline, also managing the Dudley Boyz. Keibler also managed Test and Scott Steiner. Before her departure from WWE in 2006, she was affiliated with The Hurricane and Rosey and nicknamed "Super Stacy".
Keibler was a contestant on Dancing with the Stars: season two, where she placed third. She has also appeared on other ABC series such as What About Brian, George Lopez, and October Road, as well as the 100th episode of the CBS sitcom How I Met Your Mother as a bartender and on the USA Network show Psych. Keibler has also modeled, appearing in both Maxim and Stuff magazines.
Keibler is considered to be a sex symbol and is known for her unusually long legs. She has been known as both "The Legs of WCW" and "The Legs of WWE". During Keibler's time on Dancing with the Stars, judge Bruno Tonioli nicknamed her "The Weapon of Mass Seduction". Stacy Keibler was inducted into the WWE Hall of Fame on March 27, 2023.
Biography from the Wikipedia article Stacy Keibler. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
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MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.