Constance Towers
Beginning in 1965, Towers embarked on a career in theater, making her Broadway debut in the musical Anya, opposite Lillian Gish, followed by a 1966 production of Show Boat at Lincoln Center. Towers starred in four other Broadway productions throughout the 1970s, most notably as Anna in The King and I in 1977 and 1978. Her later career largely has been based in television, with roles as matriarch Clarissa McCandless on the daytime drama Capitol from 1982 to 1987, and the villainous Helena Cassadine on General Hospital, which she began portraying in 1997.
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48 Hours
48 Hours is a CBS news magazine that investigates intriguing crime and justice cases that touch on all aspects of the human experience. Over its long run, the show has helped exonerate wrongly convicted people, driven the reopening -- and resolution -- of cold cases, and changed numerous lives. CBS News correspondents offer an in-depth look into each story, with the emphasis on solving the mystery at its heart. The program and its team have earned critical acclaim, including 20 Emmys and three Peabody Awards.
Saturday Night Live
Saturday Night Live is an Emmy Award-winning late-night comedy showcase.
Since its inception in 1975, "SNL" has launched the careers of many of the brightest comedy performers of their generation. As The New York Times noted on the occasion of the show's Emmy-winning 25th Anniversary special in 1999, "in defiance of both time and show business convention, 'SNL' is still the most pervasive influence on the art of comedy in contemporary culture." At the close of the century, "Saturday Night Live" placed seventh on Entertainment Weekly's list of the Top 100 Entertainers of the past fifty years.
EastEnders
Set in the East End of London, the show focuses on the tensions between love and family with stories ranging from hard-hitting social issues, to personal, human tragedies. And there's plenty of funny moments too.
Classic characters old and new across thousands of episodes have shared a drink in The Queen Vic, shed tears of despair or joy, sat on Arthur's bench in the Square... and at some point or other they probably crossed paths with Ian Beale.