Jean-Marc Vallée
His debut feature, Black List (1995), was nominated for nine Genie Awards, including nods for Vallée's direction and editing. His fourth feature film, C.R.A.Z.Y. (2005), received further critical acclaim and was a financial success. Due to Vallée's perfectionism, and the tight budget, the film took almost ten years to make. Vallée's follow-up, The Young Victoria (2009), garnered strong reviews and received three Academy Award nominations. He was offered this film by producer Graham King, who was impressed by C.R.A.Z.Y. and wanted Vallée to make something similar. Vallée was initially unsure about accepting this offer, as he didn't much care about period films, or the British monarchy. However, his love for a cinematic challenge won out, and he researched Queen Victoria in great depth before starting the film. His sixth film, Café de Flore (2011), was the most nominated film at the 32nd Genie Awards. Vallée's next films, the American dramas Dallas Buyers Club (2013) and Wild (2014) continued this acclaim and the former earned him a nomination for the Academy Award for Best Film Editing. He was a member of the Academy of Motion Picture Arts and Sciences in the Director's Branch from 2014 until his death in 2021.
He was known for his naturalistic approach to filming, encouraging actors to improvise during takes, and used natural lighting and handheld cameras. He described himself as being like "a kid on a set. A kid playing with a huge toy and having fun".
Vallée ventured into television by executive producing and directing two projects for HBO, the drama series Big Little Lies (2017) and the thriller miniseries Sharp Objects (2018). For the former, he won the Primetime Emmy Award for Outstanding Directing for a Limited or Anthology Series or Movie.
Biography from the Wikipedia article Jean-Marc Vallée. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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