
Elaine May
In 1955, May moved to Chicago and became a founding member of the Compass Players, an improvisational theater group. She began working alongside Nichols and in 1957, they both quit the group to form their own stage act, Nichols and May. In New York, they performed nightly in clubs in Greenwich Village alongside Joan Rivers and Woody Allen, as well as on the Broadway stage. They also made regular appearances on television and radio broadcasts. They released multiple comedy albums and received four Grammy Award nominations, winning Best Comedy Album for An Evening with Mike Nichols and Elaine May in 1962. Their collaboration was covered in the PBS documentary Nichols and May: Take Two (1996).
May infrequently acted in films, including Luv, Enter Laughing (both 1967), California Suite (1978), and Small Time Crooks (2000). She became the first female director with a Hollywood deal since Ida Lupino when she directed the 1971 black screwball comedy A New Leaf. Experimenting with genres, she directed the dark romantic comedy The Heartbreak Kid (1972), the gangster film Mikey and Nicky (1976), and adventure comedy Ishtar (1987). May later earned acclaim writing the screenplays for Warren Beatty's Heaven Can Wait (1978), and Mike Nichols' The Birdcage (1996) and Primary Colors (1998). Heaven Can Wait and Primary Colors each earned her a nomination for the Academy Award for Best Adapted Screenplay, while the latter won her the BAFTA Award for Best Adapted Screenplay.
May returned to acting in Woody Allen's Amazon Prime series Crisis in Six Scenes (2016) and on Broadway in the revival of the Kenneth Lonergan play The Waverly Gallery (2018) the latter of which earned her the Tony Award for Best Actress in a Play. The win made May the second-oldest performer behind Lois Smith to win a Tony Award for acting. In 2022, the Academy of Motion Pictures Arts and Sciences gave May an Honorary Academy Award for her "bold, uncompromising approach to filmmaking, as a writer, director, and actress".
Biography from the Wikipedia article Elaine May. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
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The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.