Lindsey Martin

Lindsey Martin

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BiographyLindsey Martin is SVP of international co-productions and development for CBS Studios. Martin oversees the Studios’ global slate of diverse, premium scripted series, including the first-ever international series to come out of the NCIS franchise, NCIS: SYDNEY; the upcoming “King & Conqueror” for the BBC, “Coma” for Channel 5, and “The Darkness,” a crime thriller for SkyShowtime and Siminn. She is currently executive producing series at multiple broadcasters and streamers, and continues to source, package, and develop international co-productions across drama and comedy. Prior to joining CBS, Martin was one of the first creative scripted hires for Netflix in APAC. She was responsible for the development, production and launch of over 10 Asian original series – including “Selection Day” in India, “The Ghost Bride” in Malaysia and “The Stranded” in Thailand – and built out the creative pipeline across Southeast Asia and Australia. Prior to Netflix, Martin was VP of co-productions and development at Infinite Studios Singapore, where she co-produced films and series such as “Crazy Rich Asians” for Warner Bros and “Halfworlds” for HBO Asia. Before moving to Asia, Martin had a successful career in U.S. domestic film and television as head of development for Mike Tollin Pictures, where she worked on Yahoo’s first original comedy series and set up shows at networks including Showtime, TBS, Fox, ABC and MTV. She started her career with the Mark Gordon Company, working across film and series, including “Grey’s Anatomy,” CRIMINAL MINDS, “Army Wives” and RAY DONOVAN.

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With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.

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As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

GenreComedy