Ray Milland
Before becoming an actor, Milland served in the Household Cavalry of the British Army, becoming a proficient marksman, horseman and aeroplane pilot. He left the army to pursue a career in acting and appeared as an extra in several British productions before getting his first major role in The Flying Scotsman (1929). This led to a nine-month contract with MGM, and he moved to the United States, where he worked as a stock actor. After his MGM contract ended, Milland was picked up by Paramount, which used him in a range of lesser speaking parts, usually as an English character. He was lent to Universal for the Deanna Durbin musical Three Smart Girls (1936), and its success led to Milland's playing the lead role in The Jungle Princess (also 1936) alongside new starlet Dorothy Lamour. The film was quite successful and raised both to stardom. Milland remained with Paramount for almost 20 years.
Milland appeared in many other notable films, including Easy Living (1937), Beau Geste (1939), Billy Wilder's The Major and the Minor (1942), opposite a corrupt John Wayne in Reap the Wild Wind (1942), The Uninvited (1944), Fritz Lang's Ministry of Fear (1944), The Big Clock (1948), and The Thief (1952)—for which he was nominated for his second Golden Globe. Two standout films later in his career include Alfred Hitchcock's Dial M for Murder (1954) and Love Story (1970). After leaving Paramount, he began directing and moved into television acting. Once Paramount Pictures' highest-paid actor, Milland co-starred alongside many of the most popular actresses of the time, including Gene Tierney, Jean Arthur, Grace Kelly, Lana Turner, Marlene Dietrich, Maureen O'Hara, Ginger Rogers, Jane Wyman, Loretta Young, and Veronica Lake.
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Amandaland
Following three series of the Merman-produced, BAFTA award-winning series Motherland, a brand-new spin-off, Amandaland, is coming to the BBC, focused on Amanda.
Post her divorce, Amanda has had to downsize and up sticks to South Harlesden, or as the Estate Agent calls it SoHa (definitely not the area around Wormwood Scrubs prison).
With both Manus and Georgie now at secondary school, Amanda has to try and get her head around raising teenagers, dealing with modern motherhood horrors like teenage drinking, fake Instagram accounts and eco anxiety. Not even a woman as certain of her parenting as Amanda can deal with these nightmares alone.
Then there's Amanda's mother Felicity who is constantly around, and completely in denial that she is, in fact, lonely. Theirs is a slightly unhealthy co-dependent relationship based on backhanded compliments and veiled snipes about her new home.
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