Ralph Richardson
In the 1940s, together with Olivier and John Burrell, Richardson was the co-director of the Old Vic company. There, his most celebrated roles included Peer Gynt and Falstaff. He and Olivier led the company to Europe and Broadway in 1945 and 1946, before their success provoked resentment among the governing board of the Old Vic, leading to their dismissal from the company in 1947. In the 1950s, in the West End and occasionally on tour, Richardson played in modern and classic works including The Heiress, Home at Seven, and Three Sisters. He continued on stage and in films until shortly before his sudden death at the age of eighty. He was celebrated in later years for his work with Peter Hall's National Theatre and his frequent stage partnership with Gielgud. He was not known for his portrayal of the great tragic roles in the classics, preferring character parts in old and new plays.
Richardson's film career began as an extra in 1931. He was soon cast in leading roles in British and American films including Things to Come (1936), The Fallen Idol (1948), Long Day's Journey into Night (1962) and Doctor Zhivago (1965). He received nominations and awards in the UK, Europe and the US for his stage and screen work from 1948 until his death. Richardson was twice nominated for the Academy Award for Best Supporting Actor, first for The Heiress (1949) and again (posthumously) for his final film, Greystoke: The Legend of Tarzan, Lord of the Apes (1984).
Throughout his career, and increasingly in later years, Richardson was known for his eccentric behaviour on and off stage. He was often seen as detached from conventional ways of looking at the world, and his acting was regularly described as poetic or magical.
Biography from the Wikipedia article Ralph Richardson. Licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Known For
Recently Updated Shows
Saint-Pierre
After Royal Newfoundland Constabulary Inspector Donny "Fitz" Fitzpatrick digs too deeply into a local politician's nefarious activity, he is exiled to work in Saint-Pierre et Miquelon (the French Territory nestled in the Atlantic Ocean just off the coast of Newfoundland). Fitz's arrival disrupts the life of Deputy Chief Geneviève "Arch" Archambault, a Parisian transplant who is in Saint-Pierre for her own intriguing reasons. Saint-Pierre is a police procedural with French star Joséphine Jobert as Arch and Canadian star Allan Hawco as Fitz, and James Purefoy rounding out the stellar team. As if by fate, these two seasoned officers — with very different policing skills and approaches — are forced together to solve unique and exciting crimes. Although the islands seem like a quaint tourist destination, the idyllic façade conceals the worst kind of criminal activity which tend to wash up on its beautiful shores. At first at odds and suspicious of each other, Arch and Fitz soon discover that they are better together... a veritable crime-fighting force.
Son of a Critch
Based on the award-winning, best-selling memoir from Mark Critch. This new original comedy is the hilarious and very real story of 11-year-old Mark coming of age in St. John's, Newfoundland in the 80s. It's a heartfelt window into the life of a child – much older inside than his 11 years – using comedy and self-deprecation to win friends and connect with the small collection of people in his limited world.
Allegiance
Allegiance follows on identity and belonging, policing and politics, and finding truth within the heart of a flawed justice system. Sabrina Sohal is a star rookie police officer who must grapple with the limits of the justice system as she fights to exonerate her politician father Ajeet Sohal. Sohal serves her diverse hometown of Surrey alongside Vince Brambilla, a veteran training officer who sees her potential but doesn't always agree with her forward-thinking methods. Allegiance is the story of a young woman caught between her allegiance to her flag, to her badge, and to her family.
Special Forces: World's Toughest Test
Household names endure some of the harshest, most grueling challenges from the playbook of the actual Special Forces selection process. There are no votes, and no eliminations – just survival. These celebrities, who are so used to being in the spotlight, quickly learn the meaning of "no guts, no glory" – and no glam.