Episode 5

11.15 AM, Dudley. Eighty-three-year-old Iris suffers a nasty fall at home and is in severe pain. She has a suspected broken thigh bone, and Critical Care Paramedic Stephen Mitchell is immediately dispatched.
On arrival he finds Iris in agony and unable to move. Only his advanced training in administering powerful pain relief will be able to get her out of her home and into hospital for the immediate treatment she desperately needs.
Meanwhile, 40 miles away in Shrewsbury, 50-year-old Stewart has gone into cardiac arrest during a karate class. It's a category one emergency and Grant Salsby and Sarah Foley race to the scene.
On arrival, they find Stewart's heart has been restarted by paramedics, but now he is critically ill, and has a locked jaw. Grant and Sarah will have to do everything they can to stop Stewart from slipping into another potentially fatal arrest.
Back at base in RAF Cosford, Critical Care Paramedics Fay Pollock and Will Meadows are just clocking on when they receive reports of a serious road traffic collision.
Forty-three-year-old truck driver Gamil is trapped in his cabin, and his dashboard and steering column have collapsed inwards, crushing him from the waist down. It's a race against time to get Gamil out of the wreckage to prevent him suffering any life changing injuries.
Trailer
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.