Peter Gabriel: So
With the release of So in 1986, Peter Gabriel achieved a level of success that had thus far eluded him. Gabriel famously started out leading Genesis, but his four albums of solo work had made him the definition of a cult artist, with flashes that broke through such as Solsbury Hill and Games Without Frontiers. His fifth album, the first not to be titled Peter Gabriel, changed everything and became a massive hit on both sides of the Atlantic.
So includes the singles Don't Give Up, Big Time, Red Rain, In Your Eyes and Sledgehammer, the latter reaching number one in the USA, ironically knocking Genesis's Invisible Touch off the top spot.
The R&B/soul inspired Sledgehammer was propelled to the top by a much-celebrated stop-motion music video, which won numerous awards and set a new standard for art in the music video industry.
By returning to the original multi-tracks, along with musical demonstrations and rare archive footage, we discover how Gabriel's melodic ability to blend African music, jangly pop and soul created a classic.
So stands as one of the greatest records of the 1980s, helping define its time to become a true classic album. The film features interviews with Gabriel himself, co-producer Daniel Lanois, bass players Tony Levin and Larry Klein, performer Laurie Anderson, drummer Manu Katché and Rolling Stone editor David Fricke amongst others.
Trailer
Recently Updated Shows
MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.
Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.
The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.