Central Main and Dessert

The competing chefs are halfway through their heat and the pressure is mounting. Once again, they are each serving their own original take on this year's Great British Menu pop music brief. For his main course, Ryan Simpson-Trotman is confident his dish, The UK's Number 1, will hit the top spot with his combination of a beef pie and rump cap. Sabrina Gidda is taking inspiration from her grandad's collection of old 45s for her Sunday Jukebox main: pork wellington and Black Country faggots. Kray is going all out for wow factor with wagyu beef, American-style scones and purple potatoes for Shaarron, dedicated to Birmingham's own Black Sabbath, The Osbournes and heavy metal.
Dessert is the chef's last chance to impress and stay in the competition to cook for the judges, so tensions are high. Sabrina creates a Fools Gold dessert of ice cream, peanut sable and honeycomb, in a tribute to The Stone Roses track. Kray is showing his romantic side with his dish A New Romance, inspired by the smell of Brian Ferry's aftershave. It features sweet smelling peaches presented in a variety of ways. Ryan is creating 2 Tone, a dessert dedicated to the Coventry record label and the ska music movement. It features a brownie made of white and dark chocolate as well as black and white meringues. But who is going home and who is staying on to cook for the judges tomorrow?
Trailer
Recently Updated Shows

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.