Студия СОЮЗ - Season 3

Set in 1991 Miami, Dexter: Original Sin follows Dexter as he transitions from student to avenging serial killer. When his bloodthirsty urges can't be ignored any longer, Dexter must learn to channel his inner darkness. With the guidance of his father, Harry, he adopts a Code designed to help him find and kill people who deserve to be eliminated from society without getting on law enforcements' radar. This is a particular challenge for young Dexter as he begins a forensics internship at the Miami Metro Police Department.

High Potential follows Morgan, a single mom with an exceptional mind, whose unconventional knack for solving crimes leads to an unusual and unstoppable partnership with a by-the-book seasoned detective.

On Call is an adrenalized and visceral police drama that puts us inside the squad car and on the streets with Long Beach Police. Through training officer Traci Harmon and rookie Alex Diaz, the series examines how the complexities of the job affects the human condition. Harmon will be enlightened by a kid from the streets, while Diaz will learn that policing isn't black and white - it requires shades of grey. Each episode tracks the duo as they respond to a new radio call, arriving on the scene to resolve an incident. Incorporating a mixture of bodycam, dash-camera, and cellphone footage to create a cinema verité effect, the innovative series explores the morality of protecting and serving a community.

The Upshaws centers on a working-class African American family in Indiana struggling to make it work and make it right without the blueprints to do it.

Homicide detective Tess Avery is forced to quit the job she loves after nearly killing her partner and being diagnosed as clinically blind. Reluctant to accept help, Tess uses an assistance app and connects with Sunny Patel, a professional seeing-eye guide and agoraphobe living 3,000 miles away. Haunted by the unsolved cases she left behind, Tess uses a hidden camera and earpiece, while Sunny remotely steers Tess through life's obstacles -- and crimes -- as the two challenge preconceptions about ability, trust and where to draw the line.