Surface (2022- )

1923 focuses on the Dutton family's next two generations as they struggle to survive historic drought, lawlessness and prohibition, and an epidemic of cattle theft; all battled beneath the cloud of Montana's great depression, which preceded the nation by almost a decade.

Linda, a 50-year-old working class married mother of two, is having an existential crisis. Who is she? What is she? Is this it? Convinced she's got early onset dementia after forgetting what a shoe is called, Linda's GP informs her it is, in fact, the menopause. Feeling invigorated and empowered by this information, Linda decides to claw back some of the time she's spent doing ‘invisible work' over the years (not all 3.5 million minutes, just 131,500 of them) to do something for herself… for a change.  

As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.

Star City is a propulsive, paranoid thriller that takes us back to the key moment in the alt-history retelling of the space race — when the Soviet Union became the first nation to put a man on the moon. But this time, we explore the story from behind the Iron Curtain, showing the lives of the cosmonauts, the engineers and the intelligence officers embedded among them in the Soviet space program, and the risks they all took to propel humanity forward.

A former New York federal prosecutor reinvents himself representing powerful L.A. clients.