Episode 44

On this week's episode of 'The Saturday Show with Jonathan Capehart': Bipartisan criticism of Matt Gaetz, Donald Trump's pick for Attorney General, as dramatic new details emerge about the allegations of sexual misconduct against him. Rep. Glenn Ivey of the House Ethics Committee shares his thoughts about the Gaetz nomination and whether we'll ever see the committee's reportedly scathing report. Plus, Trump makes good on his promise to let RFK Jr. "go wild" on health by choosing the vaccine skeptic and conspiracy theorist to be his Secretary of Health and Human Services. I'll talk about why Kennedy is a dangerous choice to lead the $1.7T agency with someone who has actually run it: Former Obama HHS Sec. Kathleen Sebelius. And The Other Americans. The latest John Leguizamo play that offers a new window on the Latino experience. Director Ruben Santiago-Hudson talks to me about this provocative new production. All that and more on "The Saturday Show with Jonathan Capehart."
Trailer
Recently Updated Shows

The Rookie
The Rookie is inspired by a true story. John Nolan is the oldest rookie in the LAPD. At an age where most are at the peak of their career, Nolan cast aside his comfortable, small town life and moved to L.A. to pursue his dream of being a cop. Now, surrounded by rookies twenty years his junior, Nolan must navigate the dangerous, humorous and unpredictable world of a "young" cop, determined to make his second shot at life count.

MobLand
With the most powerful clients in Europe, MobLand will see family fortunes and reputations at risk, odd alliances unfold, and betrayal around every corner; and while the family might be London's most elite fixers today, the nature of their business means there is no guarantee what's in store tomorrow.
MobLand follows two generations of gangsters, the businesses they run, the complex relationships they weave and the man they call upon to fix their problem.

Daredevil: Born Again
Matt Murdock finds himself on a collision course with Wilson Fisk when their past identities begin to emerge.

The Studio
As movies struggle to stay alive and relevant, Matt and his core team of infighting executives battle their own insecurities as they wrangle narcissistic artists and craven corporate overlords in the ever-elusive pursuit of making great films. With their power suits masking their never-ending sense of panic, every party, set visit, casting decision, marketing meeting, and award show presents them with an opportunity for glittering success or career-ending catastrophe. As someone who eats, sleeps, and breathes movies, it's the job Matt's been pursuing his whole life, and it may very well destroy him.